On the Death of One We Love

My best friend Sebastian died this afternoon, snuggled up in my arms, whimpering and snuffling, trying to purr as I scratched the back of his neck. He had been suffering for several days from a very high fever that evolved into a rampaging anemia that turned his skin yellow and robbed his blood of the ability to transport enough oxygen to keep him alive, no matter how hard he struggled to breathe. He was frightened, and in pain, and he knew that, just like always, I was there to make it all better. Instead, I held him while the veterinarian injected him with a quick, silent poison that ended his life within seconds of my giving her my assent.

I know, intellectually, that death is a fact of life: I’ve outlived friends, said goodbye to family, and buried literally dozens of pets over the last fifty-five years. I know that we all die, and that a world in which we didn’t would be a grotesque and horrible place; I know that immortality could never by anything but a cancer, changing and deforming the very organisms it preserves.

Emotionally, however, every loss still hurts, burning with a different mix of denial, guilt, grief, anger, and loss. Emotionally, that elegant intellectual understanding of the proper sequence of birth and life and death and new birth smells like nothing more than a steaming bucket of excrement.

As human beings, we have always seen ourselves as perched atop the pinnacle of creation: second only to God; stewards of the Garden; the naked ape clinging to the very highest branches of the tree of life. For reasons too complex and too deeply-seated for me to ever articulate, it is important to me that the creatures in my care live without fear, without pain. I know perfectly well how artificial an environment that is: any living being in a natural state would not survive a day if he — or she, or it — did not know fear and pain, know them and understand them at a visceral level. Still, I feel the need to shelter my pets, to prove that I am greater than the arbitrary whims of nature. I defy entropy, thereby demonstrating that I am beyond it, above it, superior to it. If I were honest with myself, I would admit that what I’m doing is more about broadening and deepening my own sense of self-worth, my notion of my importance in the grand scheme of things, than about the animals, but if I were honest with myself, I wouldn’t be in this position in the first place, trying to drag the universe down these strange and difficult paths.

Sebastian depended on me, he depended on my omniscience and my super-natural authority to make his world a happy and secure one. He depended on me, and I failed him. The fact that success was not even remotely possible means nothing, at least for today: he knew that I would always make things right for him, he trusted me, and all I could do was end his life. I grieve for him, for the absence of him in my day to day life, but I’m also angry, outraged that the god-human image of myself that Sebastian and I created between us proved to be such a frail and useless fraud.

I did my best for Sebastian, or at least the best I believed I could do at the time. I know this. I really do. Eventually I will go beyond knowing and I will actually believe it, and the guilt and the anger will diminish, and the grief will mature, and only the loss will remain, the faint smell of smoke left after the fire burns itself out; and with time, even that will mellow, and I will remember Sebastian with pleasure and not with the gut-wrenching reminder that he is no longer in the next room, curled up in a chair, waiting for me.

But that’s tomorrow, or the day after. Not today; no, not today.

“… And you find yourself
In a great house with many windows open
Running from room to room, not knowing where to look out.
Because the pines will vanish, and the mirrored mountains
And the chirping of the birds.
The sea will empty, shattered glass, from
North to South.
Your eyes will be emptied of the light of day
As suddenly, all at once, the cicadas will fall silent.”

From “The Thrush”, George Seferis, 1946

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