Author: David Holcomb

Really and truly.

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Many years ago, during a visit to my family in my hometown of Boaz, Alabama, I got the notion to prepare a really fabulous meal for everybody.

On the face of it, this would seem like a nice gesture, but don’t fool yourself. I was thirty years old, and my snobbery knew no limits. I was from Boaz, but not of Boaz; I had gone away and become part of a wider world, and a fancy meal was just another way to prove my superiority. (I suppose all escapees from small towns go through that phase somewhere down the line. We’re Truman Capote or Andy Warhol: We go away for a few years, then come back to visit, proudly bearing suitcases full of Robert Rauschenberg and Igor Stravinsky and W. H. Auden and chicken recipes in Italian.)

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Elaine, let’s get the hell out of here.

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I don’t like country music. The yodeling vocals, the whining guitars, the relentlessly predictable lyrics about faithless babes, abusive bubbas, pickup trucks, disreputable nightspots in the middle of nowhere … An hour of this, and a visitor from another planet would marvel that everything south of the Mason-Dixon line had not long since slid off into the Gulf of Mexico, crushed into slurry under the weight of all that drama and all those tears.

“Wait just a gosh-darned minute!” I hear someone shouting from the back row. “Yes, a lot of country music is like that, but it’s not all the same. You’re being unfair.”

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Calculating the value of pie.

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Of all the obnoxious and unpopular universals we have to deal with – gravity, conservation of momentum, the ratio of the circumference of a circle to its diameter, the speed of light in a vacuum, the way coffee never tastes as good as it smells – the one that seems to be the hardest for most of us to accept is entropy.

Just when we think we’ve gotten a handle on things, figured out how to survive, how to be happy, how to get through the day, we discover that the universe has marched on and the situation has changed. Suddenly all the systems and workarounds that we rely upon to keep us sane no longer work the way we expect them to. The rules have changed on us. Loved ones die, things break down, the places that are important to us become strange and different. “For no reason!” we insist, red-faced and frustrated, but in fact there is a reason: simple entropy.

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Bonfire of the Vanities

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During my survey of the art news this week I happened upon a provocative headline from the Daily Beast: “Why Artist Gerhard Richter Destroys His Own Art” . The title of the article is a bit misleading: the writer asks the question but she does not actually attempt to answer it. Instead she merely elaborates on the fact that Mr Richter has destroyed a considerable number of his own paintings over the years. She did, however, get me thinking about artists and their emotional relationship to the products of their craft — because I, too, often feel the desire to haul a big load of my artwork out into the yard and set it on fire.

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Seeing it all in black and white.

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For much of my childhood (up through, I believe, about 1970) all of my family’s television viewing was on an RCA portable of late 1950s vintage, a clunky plastic thing with an extensible antenna on top and a wood-grain panel on the front decorated with dials and knobs that read “On/Off”, “VHF”, “UHF”, and “Fine Tune”. Inside the unit’s scorched yellowy-beige backside brooded a clutch of humming, glowing vacuum tubes, and its strangely convex twelve-inch screen delivered the Kennedy funeral and I Love Lucy reruns alike in a palette consisting entirely of gentle, hazy grays.

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A mess of gooey, gluey, goodness.

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I was standing behind a woman at the grocery store checkout a couple of days ago, patiently awaiting my turn, browsing the tabloid headlines and marveling at the variety of lip balms that are available to today’s consumers, when I happened to glance down at the products that were at that moment being zipped across the scanner and into the bags.

Mountain Dew. Cheetos. Ground beef (a ten-pound package). Wonder bread. Hot Pockets (six boxes). Hot dogs (four eight-packs). Microwaveable breakfast sandwiches. Little Debbie snack assortments. Potato chips. Frosted Flakes. Frozen pizza. An explosion of colors, textures and flavors that have never occurred in nature.

All told, a hundred and seventy dollars worth of groceries, with collectively less nutrition than a pound of pine bark.

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What rough beast?

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Nothing ruins a good revolution like winning.

Wiry, wily Irish bomb-throwers get their place at the dinner table, stuffing themselves on the political pie that has been denied them for so long, and find themselves growing fat and slow and toothless. Hezbollah finally hacks and burns its way into mainstream Lebanese politics, and next thing you know they’re no longer the wild-eyed incarnate Wrath of God, but a gaggle of middle-aged politicians in pricey Italian shoes struggling to defend their prerogatives against a new generation of anarchists and Islamic fundamentalists. George Washington’s cold winter at Valley Forge, battling the old aristocracy, led to a long, warm afterlife as the first of a new and even more deeply entrenched ruling class.

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Moody madness laughing wild

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The Chymical Wedding of Christian Rosenkreutz is a bizarre allegorical romance attributed to a German theologian named Johann Valentin Andreae and published in 1616.

The story takes the form of a vision – what you New Age folks would call “lucid dreaming” – in which our hero, Christian Rosenkreutz, experiences a series of episodes that supposedly illustrate great cosmic truths which are never explicitly articulated. The symbolism is lavish and highly detailed. For the uninitiated, it all seems like some sort of paranoid fantasy, but for those with the proper training and insight there is supposedly much useful information to be gleaned. The nature of that information is, again, not clear. Is it a cookbook of alchemy? Recipes for the Philosopher’s Stone? Procedures for turning lead into gold, or quicksilver into the Elixir of Immortality? Or is it perhaps a glimpse behind the veil of reality, offering clues as to the fundamental powers of our universe? As with so many esoteric systems, those who tell don’t know, and those who know aren’t telling – at least not for free.

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Midnight Snack

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Every so often I have a dream that was obviously intended for someone else. Last night’s tour of the unconscious mind was a case in point.

My dream self popped up in a hole-in-the-wall greasy-spoon diner somewhere in New York City.

The place was little more than a narrow closet: four or five two-tops running along one wall, a battered white enamel display case stocked with an assortment of plastic-wrapped mystery-meals, and a narrow aisle in between. At the back was the cash register and a doorway leading to the kitchen.

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