What rough beast?

Nothing ruins a good revolution like winning.

Wiry, wily Irish bomb-throwers get their place at the dinner table, stuffing themselves on the political pie that has been denied them for so long, and find themselves growing fat and slow and toothless. Hezbollah finally hacks and burns its way into mainstream Lebanese politics, and next thing you know they’re no longer the wild-eyed incarnate Wrath of God, but a gaggle of middle-aged politicians in pricey Italian shoes struggling to defend their prerogatives against a new generation of anarchists and Islamic fundamentalists. George Washington’s cold winter at Valley Forge, battling the old aristocracy, led to a long, warm afterlife as the first of a new and even more deeply entrenched ruling class.

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Moody madness laughing wild

The Chymical Wedding of Christian Rosenkreutz is a bizarre allegorical romance attributed to a German theologian named Johann Valentin Andreae and published in 1616.

The story takes the form of a vision – what you New Age folks would call “lucid dreaming” – in which our hero, Christian Rosenkreutz, experiences a series of episodes that supposedly illustrate great cosmic truths which are never explicitly articulated. The symbolism is lavish and highly detailed. For the uninitiated, it all seems like some sort of paranoid fantasy, but for those with the proper training and insight there is supposedly much useful information to be gleaned. The nature of that information is, again, not clear. Is it a cookbook of alchemy? Recipes for the Philosopher’s Stone? Procedures for turning lead into gold, or quicksilver into the Elixir of Immortality? Or is it perhaps a glimpse behind the veil of reality, offering clues as to the fundamental powers of our universe? As with so many esoteric systems, those who tell don’t know, and those who know aren’t telling – at least not for free.

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Blood on the tracks

I am of the age at which I can occasionally begin a sentence with “In my day …”

Don’t judge me: the decades since I was born on an Air Force base in Montgomery, Alabama, in 1958 have been turbulent, and I feel that simply having lived so long entitles me to a pompous moment now and then. Vietnam, Watergate, Stonewall, the Civil Rights movement, the Cuban Missile Crisis, Reagan, two Great Recessions, two Iraq wars, two Arab-Israeli wars, the birth of Justin Bieber and the death of David Bowie, the rise of China, the fall of the Soviet Union … A lot of water has flowed under the bridge I stand on.

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The Barbarians at the Gates

Last Tuesday, in a California courtroom, a judge sentenced 23-year-old Casey Nocket to two years’ probation and 200 hours of community service after Nocket pleaded guilty to seven counts of damaging government property. Over the span of about a month in 2014, Ms Nocket had used indelible markers to paint large cartoonish figures on prominent rock surfaces in various national parks in California, Colorado, Utah, and Oregon; she had then posted photos of her doodles to Instagram.

News accounts of Ms Nocket’s exploits invariably use terms like “vandalism” and “vandalized”. This was a characterization to which the defendant objected during the court proceedings, and I would have to agree with her: real Vandals don’t deserve such a comparison.

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Words that Kill

In the aftermath of the Pulse nightclub shooting last weekend we’ve seen an outpouring of support and solidarity for the victims. Strangely, I find this almost as depressing as the event itself.

Where was all this sympathy, this solidarity, when our poltitics, our media, and our social discourse were being hijacked by the Pat Robertsons, the Donald Trumps, the Tom Cottons, the Bill O’Reillys? We have created a society where attacks like this are not just tolerated but encouraged, every single day, and millions of people sit in front of blaring televisions and nod and thump the arm of the La-Z-Boy and mutter “Damn straight! You tell it!”.

Or worse, they sit in mute disgust and do absolutely nothing.

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Strange Bedfellows

I don’t necessarily agree one hundred percent with this author’s conclusions, but the argument is cogent and timely today as it was more than a century ago. From the Notebooks of Mark Twain:

“A man can be a Christian or a patriot, but he can’t legally be a Christian and a patriot — except in the usual way: one of the two with the mouth, the other with the heart. The spirit of Christianity proclaims the brotherhood of the race and the meaning of that strong word has not been left to guesswork, but made tremendously definite — the Christian must forgive his brother man all crimes he can imagine and commit, and all insults he can conceive and utter — forgive these injuries how many times? — seventy times seven — another way of saying there shall be no limit to this forgiveness. That is the spirit and the law of Christianity. Well — Patriotism has its laws. And it also is a perfectly definite one, there are not vaguenesses about it. It commands that the brother over the border shall be sharply watched and brought to book every time he does us a hurt or offends us with an insult. Word it as softly as you please, the spirit of patriotism is the spirit of the dog and wolf. The moment there is a misunderstanding about a boundary line or a hamper of fish or some other squalid matter, see patriotism rise, and hear him split the universe with his war-whoop. The spirit of patriotism being in its nature jealous and selfish, is just in man’s line, it comes natural to him — he can live up to all its requirements to the letter; but the spirit of Christianity is not in its entirety possible to him.

“The prayers concealed in what I have been saying is, not that patriotism should cease and not that the talk about universal brotherhood should cease, but that the incongruous firm be dissolved and each limb of it be required to transact business by itself, for the future.”

— Samuel Clemens (“Mark Twain”)

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Courage

Frustrated ISIS militants holding the city of Palmyra yesterday beheaded 82-year-old archaeologist Khaled al-Asaad.

When Islamic State fighters first began to move in on the city — a UNESCO World Heritage site which dates back to Roman times — Asaad, the director of antiquities for Palmyra, moved everything portable into hiding. Once the city had fallen into ISIS hands, the militants began looting the site, hoping to sell priceless artifacts to wealthy collectors in the US, Europe and Asia to help fund their activities in the region. They captured al-Asaad and tortured him for a month, before finally beheading him yesterday and leaving his mutilated body hanging from a post.

Khaled al-Asaad never revealed the hiding place of the treasures that he was holding in trust for future generations.

As an artist fascinated by history, places like Palmyra resonate for me on many levels; I can’t help but see its survival into my lifetime as a bridge reaching across two thousand years, connecting me with the Romans who built the city and created many of its treasures. People like me depend on people like al-Asaad to protect that bridge.

I’m not one of those people who believes that all victims are automatically heroes, but I think Khaled al-Asaad deserves to be called a hero.

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Nothing if not critical …

The death of writer and television personality Robert Hughes in 2012 was an event that did not exactly shake western civilization to its roots. His television shows “The Shock of the New” (1980) and “American Visions” (1997) had brought him some fame in the rarefied air of the BBC/PBS universe, but despite a long and wide-ranging career – he penned an  overview of the early European colonization of his native Australia, he contributed to an array of newspapers and magazines, and he even hosted (for one week, before being replaced by Hugh Downs) the ABC television news magazine “20/20” – to most people outside the art world he was almost unknown at the time of his death.

With or without fame, in his views on art Robert Hughes was passionate, pompous, often obnoxious, but he was also unfailingly erudite and articulate, and he left us more aware and better-informed than he found us.

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An insane pronouncement

Let’s suppose you’re doing last Sunday’s crossword puzzle.

You’re stumped on seven down: a five-letter word for “indistinct”. There are a couple of possibilities here, but the one that pops into your mind first is “fuzzy”, so you drop that in, very faintly, in pencil.

Okay, now what? Fifteen across, a six-letter word for “mystery”, is now coming up “enizma”, which is obviously wrong. A moment’s thought gives us a 99.9% certainty that we should be seeing “enigma” in that slot, but that gives us “fugzy” for seven down, our original problem clue: once again, it’s safe to assume that something’s not clicking.

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Links

It always amazes and amuses me to see how a whole nest of unconnected obsessions can manage to circle around and overlap when you least expect it.

I finished a painting a couple of days ago to which I gave the title “Orithyia”. The name refers to an incident in classical Greek myth in which Boreas, the god of the north wind, takes a shine to a woman (or possibly a nymph, depending on your source) named Orithyia. When his courtship — admittedly clumsy, as Boreas is the rough north wind, not the suave west wind — does not win her over, he simply carries her off in a whirlwind and has his way with her anyway.

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