The Woman At Front Two

Image of burned-out matches.

The woman at table Front Two does not look happy.

This seems wildly unfair, given that she is drop-dead gorgeous and reeks of money. I am at a stage in my life where I’m sure having a hot body and a little extra cash would solve all my problems, with some self-esteem left over to share with friends and acquaintances. The woman in the caramel-colored suit and white silk blouse should be lighting up that end of the room; instead, she’s generating her own gravity, pulling the light down into herself and smothering it.

Maybe she just needs a nice slice of cheesecake.

“More coffee?”

“Please.”

I top up her cup and stand back. “Anything else I can do for you?”

She takes a sip. I admire her bracelet, a chunky thing made of grayish-blue stones the color of a fresh bruise. She looks up at me, and I see that her eyes are the same color.

“I think that’s highly unlikely, don’t you?” she says.

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Good, gooder, goodest.

Way back in 1770 the French philosopher, historian, and poet Voltaire wrote that “Perfect is the Enemy of Good.”1 He was quoting an Italian proverb, which was itself probably derived from the Greeks or the Etruscans or somebody, but we’ll go with Voltaire because he said so many wonderful things and deserves all the credit he can get.

This statement, “Perfect is the Enemy of Good,” seems troubling at first glance. Shouldn’t we strive for perfection, even if we know that we — flawed beasts that we are — can never achieve it? According to yet another poet, Robert Browning, “…a man’s reach should exceed his grasp.”2

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Prisoners in the museum

The classical Greek conception of the afterlife was not a particularly attractive one.

In Homer’s universe, the vast majority of the dead — those not singled out by the gods for special treatment — did not wake up in some bright city of jasper and chalcedony. There were no beautiful houris, no songs, no drinking with old comrades, no dancing in fields of asphodel. Death meant a transition from the daylight world to a gray twilight, a cavern of ashes and dust, populated by muttering shadows. The Homeric dead retained their identities only through the living, sustained in the memories of those left behind. As those memories faded, or the people who had known them in life themselves died off, the dead reflected that loss, becoming more and more vague, insubstantial, losing all individual selfhood. The one thing that could provide a moment’s respite in this slide into oblivion was blood. The blood of the living, freely given, would restore a shade’s identity and memory, at least for a short time.

Pretty grim, right? We are talking about death, after all, the big D, the final darkness, the end of life, so to expect sunshine and roses and platoons of beautiful virgins does seem a bit naive.

If you’re one of those folks who believes that you will, upon the death of your body, rise up to enjoy dancing and singing and partying for all eternity with your ancestors back to Adam and Eve, I’m not here to rain on your parade. We all look for consolation where we can. What I really want you to think about, looking out at those gray multitudes in the Greek afterlife vibrating to the last fading echoes of selfhood, is the concept of identity.

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A Likely Story

“It was a likely story. But then, all of his stories were likely.”

– Margaret Atwood, The Penelopiad

In a somewhat pointless exchange on Facebook recently (but aren’t they all, usually?) a friend-of-a-friend, struggling to defend against a criticism of current US President Donald Trump, trotted out the “birther” trope: the assertion that Barack Obama was actually born in Africa.

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Paddling Point Nemo

I like to think that I’m a pretty easy-going sort of person.

I have strong opinions about a lot of things, but they don’t get in the way of my being able to talk to just about anybody, about just about anything, and I try to be courteous to, and considerate of, the people I deal with in my day-to-day life – regardless of who they are, and who I am. Sometimes I succeed, sometimes I fail, but I think it’s important to give it my best shot.

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Really and truly.

Many years ago, during a visit to my family in my hometown of Boaz, Alabama, I got the notion to prepare a really fabulous meal for everybody.

On the face of it, this would seem like a nice gesture, but don’t fool yourself. I was thirty years old, and my snobbery knew no limits. I was from Boaz, but not of Boaz; I had gone away and become part of a wider world, and a fancy meal was just another way to prove my superiority. (I suppose all escapees from small towns go through that phase somewhere down the line. We’re Truman Capote or Andy Warhol: We go away for a few years, then come back to visit, proudly bearing suitcases full of Robert Rauschenberg and Igor Stravinsky and W. H. Auden and chicken recipes in Italian.)

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Calculating the value of pie.

Of all the obnoxious and unpopular universals we have to deal with – gravity, conservation of momentum, the ratio of the circumference of a circle to its diameter, the speed of light in a vacuum, the way coffee never tastes as good as it smells – the one that seems to be the hardest for most of us to accept is entropy.

Just when we think we’ve gotten a handle on things, figured out how to survive, how to be happy, how to get through the day, we discover that the universe has marched on and the situation has changed. Suddenly all the systems and workarounds that we rely upon to keep us sane no longer work the way we expect them to. The rules have changed on us. Loved ones die, things break down, the places that are important to us become strange and different. “For no reason!” we insist, red-faced and frustrated, but in fact there is a reason: simple entropy.

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Moody madness laughing wild

The Chymical Wedding of Christian Rosenkreutz is a bizarre allegorical romance attributed to a German theologian named Johann Valentin Andreae and published in 1616.

The story takes the form of a vision – what you New Age folks would call “lucid dreaming” – in which our hero, Christian Rosenkreutz, experiences a series of episodes that supposedly illustrate great cosmic truths which are never explicitly articulated. The symbolism is lavish and highly detailed. For the uninitiated, it all seems like some sort of paranoid fantasy, but for those with the proper training and insight there is supposedly much useful information to be gleaned. The nature of that information is, again, not clear. Is it a cookbook of alchemy? Recipes for the Philosopher’s Stone? Procedures for turning lead into gold, or quicksilver into the Elixir of Immortality? Or is it perhaps a glimpse behind the veil of reality, offering clues as to the fundamental powers of our universe? As with so many esoteric systems, those who tell don’t know, and those who know aren’t telling – at least not for free.

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The Barbarians at the Gates

Last Tuesday, in a California courtroom, a judge sentenced 23-year-old Casey Nocket to two years’ probation and 200 hours of community service after Nocket pleaded guilty to seven counts of damaging government property. Over the span of about a month in 2014, Ms Nocket had used indelible markers to paint large cartoonish figures on prominent rock surfaces in various national parks in California, Colorado, Utah, and Oregon; she had then posted photos of her doodles to Instagram.

News accounts of Ms Nocket’s exploits invariably use terms like “vandalism” and “vandalized”. This was a characterization to which the defendant objected during the court proceedings, and I would have to agree with her: real Vandals don’t deserve such a comparison.

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Strange Bedfellows

I don’t necessarily agree one hundred percent with this author’s conclusions, but the argument is cogent and timely today as it was more than a century ago. From the Notebooks of Mark Twain:

“A man can be a Christian or a patriot, but he can’t legally be a Christian and a patriot — except in the usual way: one of the two with the mouth, the other with the heart. The spirit of Christianity proclaims the brotherhood of the race and the meaning of that strong word has not been left to guesswork, but made tremendously definite — the Christian must forgive his brother man all crimes he can imagine and commit, and all insults he can conceive and utter — forgive these injuries how many times? — seventy times seven — another way of saying there shall be no limit to this forgiveness. That is the spirit and the law of Christianity. Well — Patriotism has its laws. And it also is a perfectly definite one, there are not vaguenesses about it. It commands that the brother over the border shall be sharply watched and brought to book every time he does us a hurt or offends us with an insult. Word it as softly as you please, the spirit of patriotism is the spirit of the dog and wolf. The moment there is a misunderstanding about a boundary line or a hamper of fish or some other squalid matter, see patriotism rise, and hear him split the universe with his war-whoop. The spirit of patriotism being in its nature jealous and selfish, is just in man’s line, it comes natural to him — he can live up to all its requirements to the letter; but the spirit of Christianity is not in its entirety possible to him.

“The prayers concealed in what I have been saying is, not that patriotism should cease and not that the talk about universal brotherhood should cease, but that the incongruous firm be dissolved and each limb of it be required to transact business by itself, for the future.”

— Samuel Clemens (“Mark Twain”)

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